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The Mystic Review

Dreams, mysteries and traditions with Barbara Graver

Astrology, As Promised: Precession and the Signs of the Zodiac

December 22, 2010

Fig. 1 Signs of the Zodiac & the Constellations (modern)

At the end of November I promised to write a blog entry about astrology. My intent was to work my way through the Marion March's 'The Only Way to Learn Astrology series book one and then discuss it. I have done some of book one, to date, but not a lot and while I would highly recommend this author she is not perhaps the best introduction to the field. 

In particular I did not find her explanation of the astrological signs and their relation to the constellations basic enough for my purposes. I opted out of 'The Only Wayseries for the very user friendly KISS Guide to Astrology coupled with the Dummies book (Astrology for Dummies) but will be coming back to March when I feel I have a better handle on the basics.

So what did I learn from these books?

The first observation I would make about astrology is that it is somewhat complicated even without the math! Understanding how it all comes together required (for me) a three dimensional model like Figure 1 above. This is because an astrological chart takes into consideration two discrete planes (the houses and the signs) complicated by the precession of equinoxes. In this article I will do my best to describe my understanding of the signs, and their relation to the heavens.


Fig. 2 The Earth's Wobble (More info at oceanworld.tamu.edu)

As just about everybody knows, the earth orbits and rotates and wobbles. The effects of orbit and rotation create the seasons of the year and the 24 hour day and is pretty straight-forward but the wobble (Fig. 2 above) can be confusing. Imagine a top at the end of it's spin. The axis as it slows is no longer straight up and down but begins to circle and this is basically what the axis of the earth does though it is perceptible only over hundreds of years (and relatively stable). The wobble is significant in this article because it causes our view of the fixed stars to change over time.

Imagine yourself as a speck on the very tip of a wobbling top on your own kitchen table. As you wobble to the left, you see the cabinets, circling around to the right, you see the refrigerator. It is the same, over a much longer period of time, for our view of the fixed stars of the galaxy. This phenomena is applicable to the study of astrology only because the signs of the zodiac are named for certain fixed stars or groups of stars called constellations. It doesn't really matter where the stars are (relative to our location) because astrology confines itself to the influence of the Sun, Moon and planets of our surrounding solar system. It does create some confusion however because the signs are named for these constellations implying a connection that isn't really there.

The zodiac - comprising the twelve individual sun signs we are all familiar with - is an imaginary band which follows the elliptic or apparent path of the sun around the earth (this is the path shown in Fig. 1 which defines the seasons of the year). The band of the zodiac is divided into segments of 30 degrees (30 x 12 = the 360 degrees of circle) and each segment is given a name from Aries all the way around to Pisces (Fig. 1). The signs correspond to the seasons, solstices and equinoxes because of the oval shape of the elliptic in the same way that months of calendar correspond.

What makes this confusing in an astrological sense is the fact that these signs were originally named, some 4000 years ago by the Sumerians and Chaldeans, after the constellations (the cabinets or refrigerator of our wobbling top example) which appeared behind each signs 30 degree spot on the elliptic. 4000 years ago the sign of Aries stood before the constellation of Aries (at the equinox), for example, but this is no longer the case (Fig. 1).

If Leo is not really in Leo (or more correctly the segment of the Zodiac band called Leo does not line up with the distant constellation of Leo), skeptics argue, astrology doesn't work. Modern astrologers believe however that it is the motion of the planets in our solar systems that influences us, not the distant stars. They are concerned with the placement of the planets (including the luminaries of the Sun and Moon) in terms of the signs and houses.

The astrological houses are a second and separate category of placement and I think I'll try to write about that next post. My goal at this point is to develop a solid basic or overall understanding of the components of the birth chart. I am less troubled by the relationship of the astrological signs to the galaxy as a whole but still feel that there is something arbitrary in the inherent structure of the horoscope. It is important to remember that the constellations themselves have no real bearing on modern astrology. In this respect, precession does not necessarily negate the validity of astrology even if it does seemingly misplace the field.

Moving into 2011, I plan to look at Kabbalistic astrology beginning with Matityahu Glazerson and Z'ev ben Shimon Halevi. I'm going to reference the Marion March series as well, if compatible.

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A Light in Winter: The Queen of Swords

December 20, 2010


This is the weapon of a Jedi Knight. Not as clumsy or random as a blaster. An elegant weapon for a more civilized age. — Obi-Wan Kenobi

I have always identified with the Queen of Wands not only because I'm a Leo but because I'm strong and creative and a few other things that go along with that particular suit on a good day (and a bad one). From time to time however, I reflect upon the Queen of Swords and I recognize that this card represents me too, whether I want it to or not.

The suit of Swords is not a happy suit and we have only to look at Pamela Colman Smith's depiction of the cards it contains to understand that.

Traditionally Swords are associated with air, winter, wind, cold, strength, sharpness, intellect, independence, violence, loneliness, power and ruin—and Colman Smith has incorporated these themes into the Rider-Waite-Smith. And the RWS has become the tarot deck of choice for many readers as well as a interpretive point of departure for many alternative decks—with an emphasis on the negative.

I have never seen a person cheered by Colman Smith's Ten or Three of Swords!

The popular imagery of this suit is may appear tragic. So tragic that it is easy to forget that the symbolism of the suit would have been different when the cards were first introduced. They would have reminded people then of a passing age, where the sword was a weapon reminiscent of chivalry and the nobility. Some might have described the sword in the same way Obi-Wan Kenobi described the lightsaber.

When tarot was new, Wands, the suit of spring and creativity, victory and manifestation, would have been associated with the peasantry or at the very least, the craftsman. Cups, the modern suit of love and happiness—the clergy. Pentacles, which now suggest prosperity—the merchant class. 

In this system then, Swords would have represented the class most respected by society at large. And, at its best, the suit is worthy of respect. It symbolizes strength, independence, intellect, and courage, and these are fine attributes in any estimation. Loneliness, as implied in a reading predominated by swords, may be a byproduct of these characteristics in the same way that violence and ruin can be a potential consequence of decisive action. And yet, I cannot dismiss the inherent sadness of this dark queen.

Perhaps it is only a product of the season. Winter is, in northeastern Appalachia, is an austere and unforgiving time that encourages introspection and dark thought. Even in our modern age, it is a season of survival, and I feel this very keenly when I force myself outside on the coldest days to walk the frozen ground. 

It takes a certain degree of determination to live this season well and I think that is, on a level, what the symbolism of this suit is fundamentally about.

The Queen of Swords is an independent queen. She rules the wind, winter, and herself with a strong and not necessarily gentle hand, but she is the one I think most of us want to be when we face a challenge.

Representing, not only the nobility, intellect and the most difficult time of year in northern climates, she is courage, maturity and self-determination. I can draw very direct associations between this card and the season it represents. A time of year, but more significantly, a time of life.
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My Trip to NYC: Books, Energy, and Culture

December 3, 2010

The Strand Saturday Night
It was a busy weekend – a short family vacation. Everyone had their own agenda and a window of time. Saturday afternoon was my turn.

I had a list of places to see. It included The Strand, a Botanica, a Persian Restaurant, China Town and possibly the Indian neighborhood near a friends' old apartment. The Botanica was first because it was on the way into the city. 

I have a friend who likes Santeria and I wanted  to pick up something for her and for myself.  There is a small Botanica in NJ with a nice selection of incense and home-made candles and it was our plan to go there.

When we arrived however, the shop was closed. A second botanica nearby, sold mass produced candles and machine blended oils only. Somewhat daunted, we got an address for a third shop but were unable to locate it.

I have come to believe, as I’ve gotten older, that there is a current to things and I sincerely believe that it’s a spiritual current. This is not superstition, not “this is what is meant to be”  - or at least not necessarily  - but a kind of energy. Whether or not it is cognizant, whether or not it's destiny or great or small, it is very simply our own personal energy and mine just wasn’t cooperating!

We gave up on the candles and went into the city. There were lights and people and interesting restaurants.  Afternoon turned into evening and the whether turned sleety.  Hours later, after what seemed like miles of mid winter slush, we walked into the bright lights of The Strand, which if not the biggest used book store ever is certainly the biggest one I've ever been in. After the dark winter streets, it seemed crowded and cheery. There was an interesting occult section and in the end I found something connected to my cultural frame of reference.

I bought nothing to sell and nothing to give as a gift. The clock was ticking and we were tired and  and hungry and in the end, picking one good book was enough.  Being away from my usual routine I didn’t have a strong sense of the day but as I stood in line with my new book it occurred to me that what is open to us and what is closed has meaning.

That was Saturday and we didn't get a lot of news.  Still reports filtered in via snatches of CNN playing in the hotel lobby and iPad updates.  Things were happening in Egypt.  Being on vacation made it seem even further away then it was in fact I think. 

Sunday morning found us in the room in front of the television however.  We heard that ordinary citizen's were putting their lives on a very literal line to stand between looters and the Cairo museum.  Between the lines of courage and sweeping change and life and death, I was reminded how fundamentally important culture is to all of us.

I came home with my new book and some new ideas. I don’t know what it is about vacations but there is something about being free of the daily routine that encourages reflection and affords us the opportunity to see things from a slightly different perspective.

I'm always tired after a vacation and always glad to be back in my little backwater.  Still it is nice to feel the shift from time to time!
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My name is Barbara Graver. I started the Mystic Review in August of 2010 to blog on metaphysical topics. I have a newsletter called Writing After Dark that features some Mystic Review content plus my paranormal fiction and writing on the spectrum content. You can sign up for the newsletter or follow this blog only below!
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