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The Mystic Review

Spirit, Dreamwork and Tarot with Barbara Graver

My Kitchen: Tea & Tarot

February 10, 2011

My Kitchen:  Thrift store teapot and University Press Tarot cards.
Light filtering through cobalt blue stained-glass window & hitting the teapot.

I took these pictures so I could review this reading later but did not get to it yet!
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A Kabbalistic Perspective on Heartache

R. Laitman is the author of several wonderful books on Kabbalah including >Kabbalah, Science and the Meaning of Life and Basic Concepts in Kabbalah
Quote follows:

Question: "There are situations in life when someone insults me, making me feel very wounded and degraded. What is the exact order of analyzing this kind of situation?"

Answer: "In our current state, we are unable to tell what the right attitude to reality is. We are confused, being halfway between the sky and the earth. I haven’t revealed the Creator yet, but I am no longer in full concealment either. I perceive all sorts of wise sayings like quotes, expressions, and pieces of knowledge, as revelation, but that is not so. Everything has gotten mixed up inside of me."

"That is why Baal HaSulam writes in “Introduction to Talmud Eser Sefirot” that during these years, a person has to maximally focus his development. This is a period of great confusion when I cannot understand the truth, but I no longer agree with the lie. I am simply thrown about from side to side."

You can read the entire article on R. Laitman's blog @ laitman.com. This author offers free downloads of his books on his website.
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The Spirit Dream (dreaming of sapphires)

February 8, 2011

Photo by Andrea Leopardi on Unsplash

It was almost three A.M. on a summer night in 2008 and I was wide awake.

So I passed the long sleepless night on the computer, drifting from one website to the next, until I stumbled upon a bible passage I knew by heart. 

The 23rd Psalm.

I remembered how I had committed this psalm to memory as a child and how I used to recite it before bed sometimes when things seemed dark. So I said the old familiar passage right there over the keyboard and then I set aside my laptop and fell asleep.

I woke up the next morning with a sense of excitement I hadn’t felt in what seemed like forever. 

I didn’t usually remember my dreams, but I remembered this one. It was detailed and magical and absolutely breathtakingly beautiful. 

Heart pounding, I turned on my laptop and captured my journey through the night as quickly as I could.

Aside from the headings and a few very minor edits, what follows is the account of the dream, as I typed it out that morning.  

Part I: The Hospital

As the dream opens, I’m approaching a big hospital. I’m working as a nurse again and this is the first day of a new job and I’m not sure where to go (a common problem in many similar dreams). I go to several outside doors and find them locked. Finally, at the last door I find an elderly woman on the ground in severe pain. She tells me that she has had two difficult surgeries and that she will die before she goes back to the hospital again.

I don’t know what to do or say, so I go in through the door. I’m looking for the emergency room and at first I am lost. After asking for (and not understanding) directions (another common work dream problem) I wander onto an elevator. There is a young doctor in a brilliant white coat inside the elevator. I tell him what has happened, and he gets off and goes with me to see the woman and her relatives, who are there with her. He tells them that she doesn’t have to come into the hospital if she doesn’t want to and they take her away.

I am at a brightly lit a nurse’s station. I have the feeling that I’ve been working here for some time. And that there are no bad feelings associated with that (which has never happened to me in dreams about nursing or in my nursing career in general). The young doctor is at the station too, looking at charts. After a moment, he stops and says that he has to move away soon and that he needs to learn the route by traveling it. He suggests that we all need time away from our work and that we should go on an adventure together.

Part II: The Journey

We take two cars. There is an odd assortment of women (presumably nurses). One is very beautiful. Her eyes are a vivid sea-water blue and her face is high-boned and delicate. She wears a layered gown of shimmering blue silk and I find her very exotic. Around her neck hangs a deep blue sapphire necklace and some of the bluest lapis I have ever seen.

There is an older woman, as well. She looks like a woman I know in real life [heavy with short blond-gray hair]. She is sweet and lost and seemingly lonely, just like her real-life counterpart. There are several other women. One is young and withdrawn [pale with long dark hair]; the others have already faded. As it turns out, this is a journey of discovery. There are moments of awkwardness because I don’t know anyone well, but there are other moments that seem almost euphoric.

We are on a train and I spend time alone. I am sitting in a day car with many windows. The car is rushing through a sunny countryside though I am more aware of the streaming sun than I am the scenery. As I sit, an idea for a book overtakes me. The images and characters and dialogue are vivid. And they stream through my mind so quickly it is all I can do to write them down. The story is about a man involved with two women. One is young and beautiful, but she is also married and in the end, he chooses the one who is unencumbered. The manuscript flashes by from beginning to end. Somehow I capture it.

A lot of different things happen. Sometimes we’re on the train and sometimes it seems that we have disembarked along our way. We are in a jewelry store. I see many lovely things. I look at a small locket depicting a traditionally Catholic guardian angel with children, but it’s small and drab - nothing like the beautiful pieces worn by the woman in blue. I sense that it is all that is available to me but I don't buy it. In another scene, the women and I decide to swap clothing. I have a single article of clothing I’m proud of—some sort of gold and red top. I offer it to the woman in blue and she accepts it.

Part III: Our Destination

It seems that we have arrived at university or school. The woman in blue shows me a sort of screen that is not a television but a bright flowing blue flowing into many different shades which appear as if pressed between two panes of clear glass. The screen swivels like an old-fashioned chalkboard and the many shades of blue swirl together in changing breathtaking patterns. It is vividly blue and has a shine to it that is almost metallic. It reminds me of a sand art item I saw once in a variety store but much, much better. Its beauty and the spectrum of blue is unlike [wider] anything I’ve ever seen before.

The women and I are together in a classroom. A book review or lecture is being delivered. A man is showing us pictures from a book he has written. At first the content seems Buddhist and then it’s something else, but I don’t remember clearly just how it is different. We’re all moved by his presentation and find it very inspiring. For some reason, we know all about him and are surprised he’s become so spiritual. It seems that he was famous in some way earlier in life and that he had a bad reputation at that time.

Then I am outside with the young [pale, dark-haired] doctor. He asks me about my parents and I tell him something. briefly, without going into detail. He letters a sort of monument to my father (in cobalt blue). He invites me to letter the one for my mother myself, but his lettering is perfect and I have terrible handwriting (in dreams and in life). So I ask him to do it for me and he does. The monument only has my parents' names. Or I think it does because I don’t recognize the characters or letters. The monument includes no information about who they were or what they did. But it seems complete as is.

My mother’s monument transforms into an ornament made out of clear glass with deep blue lettering. I know that I’m supposed to hang it in a tree at our family homestead and, all at once, I am there. It’s not the big main farmhouse where my mother grew up but something similar to the smaller house that she lived in before my grandfather inherited the farm. There is something about the tree having been cut back in preparation. I hang the ornament on a branch and leave.

Part IV: The Return Trip 

I find myself back on the train and discover an old book. The cover is a work of art—old fashioned, intricate, tooled leather. It is dusty and a bit worse for wear, but still handsome. I’m very impressed with it. I open it and see I have written it. I’m surprised but, at the same time, I remember.

Finally, we’re at the end of our journey. We sit at a big table and talk about how we have changed. I’m wearing a sparkling red [ruby or] garnet bracelet. We decide that we should exchange jewelry as souvenirs of our trip.

I don’t want to give up my bracelet, but I offer it anyway, secretly hoping that the woman in blue will give me some of her lapis. Instead, she gives her jewelry to the older woman (who has nothing to offer her in return). I feel disappointed but understand that this is the right thing to do. Although my desire for the beautiful blue gemstones is strong, there is no associated envy or bitterness. I feel strongly that all is as it should be.

The young doctor thanks us and tells us that he now knows the route he should take to his new home. He does not return to the hospital and I am not sure if the women return either. I have a sense of parting. It is bittersweet, but I know it feels right and I have no regrets.

Part V: Back to the Beginning

Finally, I am back at the hospital. Someone is holding a funeral for the woman who was lying in pain just outside of the door when I first arrived. The funeral is being held on the other side of the large parking lot. It is far away, at the edge of the lot, but I can see a seated effigy draped in red and understand that this effigy represents the woman who has died.

I am now inside the hospital. A patient on the floor where I work has passed and I remember that he was the man who taught us when we were away. I know his history, so I’m not surprised that he died alone. I’m not sad about it either because I remember his lecture and know that he was at peace.

As I am leaving his room, or perhaps the floor, a young girl comes in and asks for the man. She says that she is his granddaughter and I tell her he is gone. Surprisingly, I find the right words. I tell her that it’s alright, that he has changed, and for some reason her tears are cathartic for both of us. We leave the hospital together and I have the feeling that everything has come full circle.

Afterward 

I finished typing out the dream and turned off my laptop.

I was sitting on the same couch I’d slept on, wearing the same sweat pants and t-shirt I’d worn the day before. The room was still small and cluttered, and the stereo from the house next door was already blasting.

But everything had changed.

O you afflicted one,
Tossed with tempest, and not comforted,
Behold, I will lay your stones with colorful gems,
And lay your foundations with sapphires.
I will make your pinnacles of rubies,
Your gates of crystal,
And all your walls of precious stones. (Isaiah 54:11-13)

This post is excerpted from my upcoming book The Spirit Dream.

© 2025, 2026 Barbara Graver. All rights reserved.

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Off for NYC!

January 28, 2011


It's going to be a great weekend!
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Astrology & Kabbalah

January 21, 2011

I'm currently reading Above the Zodiac: Astrology in Jewish Thought by Matityah Glazerson.

And as it turns out, astrology is not completely outside the realm of Jewish religious writings though it is, of course, frowned upon in many instances.

The author begins by addressing the problem of astrology in Jewish thought, noting that traditionally Jews are cautioned against reliance on the movement of the heavens and siting Talmudic and Kabbalistic sources that both support and perhaps partially refute this point of view.

The book goes on to examine the signs of the zodiac, correlating them with the Hebrew calendar which is I guess no less a match (with the true positions of the constellations) then the Gregorian - at this stage of the game.

The signs of the Zodiac are interpreted in a mostly religious sense relying on material from the Zohar, Sefer Yetzirah, and other Kabbalistic writings, the Hebrew bible and key events in the history of the Jewish people.  It is a book perhaps better suited to a student of Kabbalah than a practitioner of astrology and a good resource for anyone seeking a better understanding of the Hebrew calendar. 

Some of the correspondences are interesting.  The month of Nissan (which contains the Passover) overlaps Aries, for example, and I can see a correlation between the energy of Exodus, the beginning of the Zodiac and birth of Israel as a cohesive, if landless, nation.  I found the correlations between the elemental aspects of astrology and mysticism interesting as well.

As an aside, I find it notable that under the "new" assignment of the signs (reconciling the placement of the constellations, changed due to the precession of the earth, with signs of the Zodiac as it has appeared in the media) the new first day of Aries is April 18, 2011 also the 14th of Nissan, 5771 - Erev Pesach, the eve of Passover.
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Pics of My Craft Room

January 19, 2011

Where the magic happens :)

Home-Made Light Box & Incense.
Shelving unit pictured below lives here as well.

I made my craft room by ripping out the insides of a walk in closet - lucky for me one with a window.  It is not a big room but it I know where things are and it smells like incense and candles.  It's my little space and I love it!
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Storing Tarot and Charging Crystals: The Energy of Items

January 18, 2011

As anyone whose been following this blog knows, I've been reading Tarot for 40 years now.  My original 1971 Rider Waite has been shuffled from home to home and state to state numerous times.  The old box is almost falling apart and while I still have it, I don't use it for storage anymore - haven't used it for I'm not sure how long. 

For my deck, home is a simple wooden box, a probable Indian import, with a smooth polished surface and brass inserts of sun, moon and stars.  I keep the deck loose in the box because I like the energy of wood.  I believe that it absorbs energy.  I find a wooden Tarot box to be stabilizing and protective.

I have a semi extensive Tarot collection.  I say semi because I have pared it down in recent years from over 40 decks to a number generally hovering somewhere around 22.  Adding to the collection is about resonance to me, not numbers, and I don't keep a deck unless I connect with it - no matter how attractive the artwork.  I like the idea of having 22 decks for obvious (to anyone who reads Tarot) reasons, too, even though I find that keeping the number at exactly 22 is impossible.

Decks come and go in my collection.  I like to think that most of them, even the dearest of them, speak to me for a time - and then they speak to someone else.  While they are with me, however, even if I have bought them only because I think they deserve to be passed along to some other more compatible reader, I take care of them and for me caring for a deck properly is all about energy.

When I get a new deck, I get an immediate impression of its previous use.  Part of that impression is empathic and part is just good observation.  The last deck I bought - a ©1970 US Games Aquarian deck -  is noticeably, but gently, worn - lots of rubbing but no tears or bends or stains.  The edges of the cards aren't separating but they aren't tight either and the box has been taped, carefully but repeatedly.  All these things are evidence of frequent use - with reverence - and that's a good thing.  It is my impression that this deck (a brokered eBay deal) came from a professional or at the very least frequent reader who loved and respected the art of Tarot reading.

1971 Rider-Waite (backup deck)
In ten or twenty or certainly 40 years, a deck can pass through lots of hands.  Some, like the Aquarian deck, come to me gently vibrating with positive energy while others have a certain static.  And while I've yet to buy a "cursed" deck, if a deck has an unhappy vibe it's a good idea to clear it.  Over the years of buying and selling and swapping decks, I've developed my own system of clearing energy and maintaining a positive energy flow in my collection.

I don't believe in leaving decks outside though I have done it.  Too much can happen and a wet deck is a ruined deck no matter how restorative moonlight and morning dew can be in best case scenario.  Crystals are quite at home in the great outdoors however and I have a small crystal collection intermingled with my cards.

You can read a lot about charging crystals on the net but I keep it pretty simple.  In general, anything that appeals to me -  full moon, new moon, waxing never waning moon, summer rain, the first snow, the garden in early spring - seems to work.  The crystals don't have to spend the night outside, though they do seem to appreciate it from time to time, and I usually stay with them, lining them up in the moonlight and saying a few words with intention because people need recharging too.  I usually allow the freshly charged crystals to surround new decks and my everyday reading decks, moving them around to mix things up, and recharging the stones as needed.

I keep my collection, in their various cardboard and wooden and other boxes, on an open shelf in my workroom.  This is the clearest space in my house.  There is no clutter.  No TV.  No radio. No negativity.  Only my photography, art and jewelry supplies, my psychically sensitive etsy items,  my Tarot decks, card decks, incense, crystals, candles, silk scarves and small Indian import Saraswati statue (made with real River Ganga mud).   I allow fresh air to circulate every day, even in winter, and burn incense and candles regularly.  Most importantly -  I do not allow any discord or negativity in this room.  This includes negative others and myself.  If I become frustrated in this room when working and cannot recenter, I leave and go do something else until whatever agitation I am feeling passes.

New decks brought into this room lose their static pretty quickly.  Those that leave make their way to their true homes better for their stay.  I am a firm believer in the old adage which says that spiritual tools will find their way to the right person at the right time.  One of the things I like best about making the occasional sale on etsy is the feeling I get from knowing that I have been part of this process.
Left to right: Quartz crystal point, boxed 1971 been-my-deck-forever deck (top), 1970 Aquarian deck (also boxed) bottom, amethyst crystal geode, 1971 Rider-Waite backup deck, lemon-sage candle, vintage Art Deco playing card deck (enlarge to see the interesting geometric design on the back), Saraswati, the Hindu goddess of knowledge, music and creative arts, quartz crystal point.  Vintage scarf. 
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Tarot and Astrology: The Pursuit of Destiny

January 8, 2011


Photo by Nastya Dulhiier on Unsplash

I have to say, at the outset, that the author's sources are not part of my particular area of interest.  But I find the interpretations are very interesting.  Especially my own and I thought the negative in particular had some truth to it.  I also enjoyed the Hasbrouck's discussion of the world as it was prior to the second WW - especially in regard to scientific discovery.

Some of the cards listed seem inconsistent with the sign of the Zodiac with which they are associated but I've found that elsewhere.  Her advice, as it pertains to me seems sound.

The assigned major arcana card for Leo is Strength and whatever my faults, I do consider myself to be a strong person.  Sometimes too strong.  The card for my particular birth date (August 22nd) is the 7 of Wands, which Hasbrouck calls the seven of Leo.  By her interpretation this card is ruled by Mars and Mars is prominent in my birth chart.  Positive attributes for this birth date follow:

"Leo Sevens are dominant, vital people, always ready for action, adventure - or a battle.  They are energetic and enthusiastic, tireless themselves, they are capable of inspiring others to work with them [unless those others are offspring it seems] and for them.  They have great charm, especially for the opposite sex.  They are emotional, highly charged, and passionate in their personal affections.  Their imaginations are vivid and creative, they tend to dramatize everything in life, from petty details to great enterprises.  They have the ability for intense concentration, and when positive, they are entirely without fear.  Under pressure, they exhibit great fortitude, and resourcefulness is one of their most valuable assets."  Not so sure about the charm and would like to think I am not dramatic about everything but not necessarily all that far off otherwise!

 The negative:

"They are fighters, taking, at all times, the opposition or the defensive.  They are quarrelsome [want to argue with that but probably shouldn't], proud, touchy and obstinate.  They lack the ability to co-operate with others, they desire always to dominate and direct.  Their resourcefulness becomes mere excitability and impetuosity; they rush into action with considering the consequences.  Wrong side out, they are apt to be cruel in personal relationships, especially where the emotions are involved.  Their versatility leads them to scatter their energies so widely that the effort to concentrate on a number of things at the same time destroys their mental balance, making them highly irritable, nervous and unpredictable.  It is difficult for them to coordinate their energies."  Pretty on the mark though thankfully not always the case.

The author's comments:

"Their versatility is of an unusual type.  Not only can they do a surprising number of different things, but they do them all astonishingly well, apparently without training or preparation.  But the net result of this magic is rather likely to be that the roof is placed on an edifice built without foundations, so that the first storm blows it down.  The imagination of the Leo Sevens knows no bounds.  They have to learn to practice the art of doing one thing at a time [!], and of completing one job before they start the next one.  The average Leo Seven leaves a trail of unfinished business."

"They take their knocks well, however, and no one of them has yet been found to be discouraged for more than a few hours."  This last is not strictly true but close.  Overall, I found the author's assessment fairly accurate - especially, unfortunately, some of the negatives.  I found it encouraging as well.
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My name is Barbara Graver. I started the Mystic Review in August of 2010 in the wake of a truly amazing dream I called the Spirit Dream. I blog on dreamwork, consciousness, tarot and other metaphysical topics. Sign up for my newsletter below to get new posts via email!
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