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When we are done cleaning, we can honor the element of air by burning incense and taking a moment to appreciate the movement of this element's revitalizing current. We may also choose to feed the creatures of the air by keeping our bird feeders stocked.
We might also consider introducing a water element into our interior space. I am considering a small aquarium but will probably settle for a simple bowl of water filled with colored stones and floating candles. We might also make an effort to keep the birdbath free of ice as much as possible so that the birds can take a drink when the weather is dry.
Additionally, we can remember the creatures of the earth by leaving food outside for the squirrels, rabbits, stray cats and other animals struggling in the cold.
For more on making the most of this incredible season please see: Embracing the Seasons: 7 Steps to a Better Winter
- Honor your intellect. Learn something new. Turn off the TV. Pick up a book. Learn a language. Research a topic. Fill the long nights with learning.
- Stimulate your creativity. Pick a winter project. Make candles or cookies or learn a brand new craft. Write a short story, start a novel or a painting, redesign your blog or website, or redecorate your home.
- Seek inner illumination. Learn something new about yourself. Start a journal. Meditate. Record your dreams. Record your tarot readings or psychic sessions. Reflect on your discoveries and the ways you can apply that insight in the coming year.
- Chase the sun. Go outside when the sun is shining or anytime it's snowing. Walk your dog, do some winter gardening or take a social media pic and inspire others. Tell yourself yourself you can come in whenever you are ready. Odds are you'll stay a while (it's the getting out that's hard).
- Bring the light indoors. Use candles and brightly colored lights at night. Open the curtains throughout the day. Rethink your window treatments.
- Break up stale energy. Crack the windows when you clean whenever that is possible. Clear clutter. Make a giveaway bag (and then give it away). Keep things neat.
- Bring a bit of nature into your home before the holiday season. Buy a plant. Cut a bit of evergreen and put it on your altar or in any prominent location.
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Wednesday Morning: my herb garden in the process of being cover up by snow. |
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Rosemary saved in the nick of time. |
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Hill behind our house just as the snow was starting. |
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It's funny how things happen. Less than a week ago, I was ready to give up on this blog - which probably doesn't sound like a big deal to the average, or casual, blogger.
The truth is - real transformation isn't about doing at all. Real transformation is about energy. The energy that knocks things over and out of our way, the energy that helps us find the tools that we need most, the energy that shows us just how to apply what we have learned. This is the energy that helps us rebuild. This is the energy that makes the things that we build stand up all by themselves.
I'm currently taking a fascinating course on Astral Projection (Astral Projection Practical Intensive) and wanted to share a bit on my progress. We are currently in Session 3 and, while I have not projected as of yet, I do feel I'm progressing.
My current challenge is that I'm going very deep in trance with the meditations and losing my awareness at times - though I don't really feel like I'm falling asleep. Yesterday I lost awareness and then became aware of being around people - which made me feel that I was dreaming. In the dream, I was yelling "I want to fly" over and over. :) I did used to fly in dreams but haven't done so for some time. Seems I might have missed it.
I feel very alert when I come back from these episodes of lost awareness (or checking / clicking out), not sleepy at all. What worried me was the memory loss. I was concerned that I might be missing actual OBE activity or rather failing to remember it. Robert believes we all astral project in dreams (for more on Robert's teachings please check out his interview on this topic here Astral Projection with Robert Bruce - affiliate link) and that the real challenge is to remember it.
- Increasing my slight discomfort level by using a hard backed chair against the wall with a small pillow to support my neck (and small footstool if needed).
- Restarting the CD if I do check / click out and repeating the meditation.
- Getting adequate sleep.
- Continuing my practice daily.
I'm planning to begin Robert Bruce's 90 day program Mastering Astral Projection next week. In order to do this, I've decided to create the space Robert talks about in the book.
Last week I participated in a guided meditation in a course that I am taking. And I wanted to write about that experience even though it does not fit in here in the way I'd like.
The course is given by author of Writing Down Your Soul, Janet Connor. It is call Plug in for Writer's and I recommend it highly. During this, our third class, Janet lead us through a meditation aimed at removing blockages impeding our creative flow. We were to imagine each blockage as a rock. As Janet guided as gently through the meditation, I found a rock at each and every chakra. My rocks were made of different material. Each was a different shape, size and color.
At my first chakra, I found hematite. At my second an elongated piece of slate. At my third and fourth a sort of chalk. At my fifth a black rock, very like the deep dark and always slightly iridescent anthracite coal which is everywhere here in Northeast PA. At my sixth chakra small rusty shards. At my seventh a small gray stone of no particular type.
At felt a wonderful sense of release during the meditation but I also felt that there was more work to be done. That night I had two interesting experiences during sleep. In the first, I woke up to a voice speaking quietly but very clearly inside my head (as often happens to me at night). It said, "We couldn't remove all. Some are gone. And some are changed." I wrote down the message and went back to sleep and began to dream.
In the dream, I was thrilled to have been given a box that held a litter of new born wolf pups. Or so I thought. When I got home however I discovered that the box did not hold the actual puppies but a collection of soon to be hatched wolf eggs instead. Each egg had a different shape and size and, as I remember, there were five of them. Several of the eggs were round and rock-like - but I was quite sure that they were eggs nonetheless.
I was worried sick that the eggs might not hatch but in the end they did. Three of the egg-rocks yielded ducklings. One broke and I didn't see anything inside. I was happy to have ducks but still disappointed that there were no wolves. And then the last egg opened. Inside was a tiny perfect coal black wolf and I loved that wolf immediately.
I carried the tiny wolf everywhere with me in the dream and as I did it grew into a beautiful and affectionate animal with a variegated coat of brown and tan.
There's more to the dream than that but I wanted to comment here on the message which I am quite sure concerned the meditation I'd participated in earlier that day - and the symbolism of the dream. The rock-eggs were like the rocks I encountered in Janet's meditation. The coal black wolf paralleled my third chakra rock. Black rock. Black wolf. And now a third black to complete the circuit.
When I was nineteen, I left home for fifth or sixth or seventh time. My family had long since given up on stopping me, if they had ever really tried at all. I was living on my own for some time at that point but I liked to keep my parents updated. In the name of doing that, I met mother one rainy afternoon in a coffee shop on the main street of a town which I have, in an unexpected way, come back to. I told her I was leaving and I tried to tell her why.
The reasons, then and now, were murky. I was passionate about poetry in those days and I wanted to garner the experiences of a great writer. My mother didn't understand that, or perhaps she did, but I felt more misunderstood after that meeting than I had before. I sat in the old-fashioned vinyl and Formica booth long after she had left, writing poetry on a series of paper napkins. Pieced together they became this poem.
Pittston, On Leaving (1979)
There's nothing for me here. Only rain
and streets of wet magnesium.
These hundred panes are filled with a watery yellow light
but the corners of the shop are webbed with shadow.
There should be carriages and gas-lights here
but there is only a maroon and gold awning
out there across the street.
The tiny window panes run with rain, blur the words,
whatever words
glisten up above that awning.
Plate glass windows and clothes behind:
Kresge's yellow-purple cotton housecoats,
old display cases, nineteen-forties styles,
and everything looks so old.
My face, these shops, slip along grey-hound windows
lost their hold
and vanish.
Plans forgotten before the coffee's cold.
Promises I cannot forget.
And you within your distance.
Tomorrow is waiting in a shipping crate,
one more highway, one more home.
I can't stop now.
So this time it's Miami, because there's no place left
I haven't been
I take what was me in two-fisted filthy chunks
and wrench it out.
I am quite sure that those chunks, however awkward poetically, were black. Black as Northeast PA coal and blocked fifth chakra centers and the dark-bright promise of a newborn wolf. And I am equally sure that removing them was not as simple as I imagined. There is, I suspect, a message in all of that.
One last thing. Several years ago I had an odd and somewhat disturbing reading at a psychic fair. I was beaten down by life a bit that day, that year, that decade. And the reader I paid to hear that I was a phoenix or a swan told me I was a wolf instead. My immediate reaction was that I did not want to be a wolf at all. That I wanted to be something beautiful and transformational and winged. The reader saw that I wasn't pleased but he stuck to his assessment. "Some people are birds and some are sheep," he said firmly. "But you're a wolf, my dear. Whether you want to be or not."
Wolves are brave animals, both alone and in a pack, and I suspect that that was part of it. I didn't want to be brave then - or even really now. But the truth was that I was already brave whether I wanted to admit to it or not. I was brave at 15 or 17 or 19 - packing up my little VW bug to head out for parts unknown. I was braver still in the years that followed as I battled bad luck, tragedy and loss.
But there is a kind of bravery I still don't want - an owning of things which I would like to finish and be done with - even and especially because it seems I never will be. I want to write about the light and yet, despite my best efforts, I find myself pulled back to the dark stories and changing metaphors of fiction. Some things cannot be taken out, I am reminded. But I've yet to discover how they will be transformed.
Overall, the traditional references in this deck are fascinating, the artwork and color outstanding, the elemental associations strong and the images close enough to the RWS to be easily readable for most. I highly recommend it!
It's hard to believe that my online course Lucid Dreaming and Living Lucidly taught by lucid dreaming author and expert Robert Waggoner (Lucid Dreaming: Gateway to the Inner Self
While I have not had a fully lucid dream so far, I have improved my dream recall and had one pre- or semi-lucid dream already. I take as a very good indicator that a fully lucid dream is within my reach.
Robert told me that this dream could be a Jungian 'big dream' or possibly an OBE (unrecognized because it didn't begin with the buzzing or humming that often launch OBEs). He went on to say that when people tell him about a vivid, complex and very coherent dream, he suspects an OBE "8 times out of 10." I found this information very validating.
I've had several very notable dreams since 2008. While none were as involved as that first dream of spirit, at least one was just as vivid and several others were also quite coherent (and / or unusually bright) - all supplied me with information I could not have otherwise known. I'm very interested in exploring both dreams and OBE and find the intersection of the two absolutely fascinating!
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Current Favorite Footwear :) |
Psychic impressions come to me in many different ways. Some are faint and fleeting. Others stand out. Some are literal and some are symbolic. And I love the depth of meaning and the mystery that symbols can offer.
Dream journaling is the hands down most important part of dream work. Without our trusty dream journals almost none of us would remember our dreams - at least not on a regular basis.
If you don't normally remember your dreams, don't feel discouraged. The simple act of of recording and honoring our dreams captures those dream memories hovering just under the edge of consciousness and brings them into to our waking reality.
Don't feel it's necessary to incorporate all the tips that follow. Start out with the first four or five and then add any you find interesting!
- Get an attractive notebook or journal and dedicate it exclusively to the recording of dreams. My brand new dream journal is a cute butterfly themed journal from a discount store and cost under $2. I didn’t feel the need for anything pricey as I know I’m going to be scribbling in it in the middle of the night in my very worst handwriting but a really nice journal works too.
- Record your dreams immediately after awakening. Use your journal to record key words, sequence of events and anything you can remember about the way image and characters looked, sounded or smelled – including your reaction to them.
- Don't tell yourself that you will rest for a millisecond and then write down your dream. You won't!
- Keep your journal close and move around as little as possible until you've written down your dream. Consider keeping a low light or bright night light on your nightstand so you don't have to turn on jarringly bright lights.
- Begin writing even if you don't remember much. Keep asking yourself, what happened before that? Often dreams are recalled in reverse order so working backwards can be very effective.
- For those who hope to lucid dream - record anything unusual including bizarre elements and any event that wouldn't normally occur in waking reality. (This is the beginning of the catalog of dream signs Dr. Steven LaBerge recommends in Exploring the World of Lucid Dreaming and will increase your awareness of the dream state.)
- Record all dream fragments no matter how how fleeting. Make quick sketches to record characters or scenes. Consider keeping a second small notebook with you at all times, to jot down any dream memories that pop up during the course of the day.
- After recording your dream, put the date at the top of your entry and leave some blank space for notes or sychroncities that pop up later. If you recall a whole dream, give it a short catchy title which captures the subject or mood of the dream (if you attend a dream group this will come in handy!).
- When you have accumulated some material, look back on it and ask yourself questions. Try to become familiar with what is dream-like about your dreams so you can recognize them while they are occurring.
- Note or underline symbolic elements so that you can track them in your waking life.
- Make little drawing of anything you are too sleepy to write about - even if it doesn't seem to especially important.
- Go back over each entry as soon as you can. Puzzle out the sloppy handwriting, cross your T's and rewrite entire words when necessary. It may be hard to figure out what you have written now but it will be even harder later on later in the day - and completely impossible next week.
- Consider using a recorder if you are too tired to write. But do be aware that a very sleepy person may think they pressed a button when they actually did not!
- How to structure a reading
- Focus on different types of telepathy
- Life path readings
- Medical Intuition
- Past life readings
- Out of body work
- Dealing with troublesome entities
- Mediumship
- Clairvoyant Challenges
- Psychic Speed Reading
- Remote viewing
- Deprogramming
- Advanced Healing Techniques
- Professional Development
- Akashic records
- Remote Viewing Real Life Issues
Watch the trailer for the fascinating documentary "Afterlife" featuring the work of Raymond Moody and Jeffrey Long below. The documentary not only features inspiring interviews with individuals who have personally experienced NDE but clearly presents the common characteristics of the Near Death Experience.
These characteristics as noted by Dr. Moody are:
- An overwhelming feeling of peace and well-being, including freedom from pain.
- The impression of being located outside one's physical body.
- Floating or drifting through darkness, sometimes described as a tunnel.
- Becoming aware of a radiant golden light.
- Encountering and sometimes communicating with a "being of light".
- Having a life review or rapid succession of visual images of one's past.
- Experiencing another world of incredible beauty.
This documentary is available on to watch instantly on Netflix!
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Tiger Lily by Rebecca Maguire |
Using Debra's technique we created a personal intention (mine was "I get direct guidance from spirit on my book and am creating the perfect book quickly and joyously.") and then read on that energy using the image of a flower. Observing this flower (in this case a daisy) I was able to see a dark cloud surrounding the blossom, dry ground and wilting of the petals.
Debra was able to help me interpret this to mean that my environment is not as nurturing as it could be and that outside influences may be affecting me. I also saw the drooping petals as an indicator that this goal is not getting the energy (sun/spirit as blocked by dark cloud) or sustenance (dry ground) it needs. And this is something I need to give some thought to.
We did healing work on our intention which I found quite helpful and then called our energy back out of our flowers. Interestingly this was when my flower changed the most - turning into some sort of beautiful exotic red lily (a bit like a Tiger Lily). Debra called this process "calling the need" out.
Using the example of a book (as she did several times when talking to me - even though I had not shared my intention :) Debra suggested that taking the pressure off our creative process can be liberating. Even as she said these word I felt lighter and it occurs to me that this class has become to about more than improving my psychic abilities. It is a true path to healing.
We have two assignments this week. One is a remote viewing exercise, the other is to do the exercise above with another goal. Mine is one of spiritual healing.
To meet Debra Katz live on "Spirit Talk" Wed. April 9th please click below!
(no longer available)
To learn more abot my Clairvoyance One training please check out the following posts!
- Remote Viewing on Malaysian Flight 370: Clairvoyance Class 7
- Clairvoyance Training Week 5: Learning The Language of Flowers
- Clairvoyance Training: Psychic Sight & Calling Back Energy (Week 4)
- Clairvoyance Training: The Healing Power of Psychic Sight (Class 3)
- Crafting My Own Course of Spiritual Study: Clairvoyance (Class 2)
- You Are Psychic by Debra Lynn Katz: Clairvoyance Training for Everyone! (Book Review)
We had been assigned this target as homework and I had already received two images regarding this event prior to class. They came on two separate occasions on March 11.
Here is my class write-up:
"I only got a couple of flashes. The first was the plane going down into the water. It hit nose first and there was huge rush of water around it and into the cabin. The second which might not really jive with the first was of the event before the plane went down. In this I saw an explosion. The burst of fire was behind the cabin (where the pilots sit) of the plane and bursting in to it but I don't really know how big or localized the explosion was. I do feel the plane is in deep water but I inadvertently heard speculation on that on CNN after I had gotten the first two images - still I did get an image later on of the plane in murky greenish water - similar to what you see in underwater filming."
- Clairvoyance Training Week 5: Learning The Language of Flowers
- Clairvoyance Training: Psychic Sight & Calling Back Energy (Week 4)
- Clairvoyance Training: The Healing Power of Psychic Sight (Class 3)
- Crafting My Own Course of Spiritual Study: Clairvoyance (Class 2)
- You Are Psychic by Debra Lynn Katz: Clairvoyance Training for Everyone! (Book Review)
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My Symbol Journal |
Debra's method uses several clearly defined psychic tools as an aid to clairvoyant reading. Among these are a viewing screen and the image of a rose (or other flower).
Symbols are our code in psychic work and knowing those symbols is of value. Knowing a peony from a chrysanthemum is important because every flower is a symbol and each symbol has a meaning. I never really wanted to keep a list of symbols but why not a sketch book? I can draw a bit and when I don't have time to draw I can paste in images. It won't be hard to add a bit of text and I suspect that it will be much more memorable than the dictionary approach. Using existent symbology for things like flowers, birds, animals and colors will be fun!
This is how I intend to build my vocabulary of spirit and I believe that I will start with flowers. Pictures of my symbol book to follow. Now off to Barnes and Noble for the perfect symbol sketch book!
Check out my other posts on my Clairvoyant One training here:
- Clairvoyance Training: Psychic Sight & Calling Back Energy (Week 4)
- Clairvoyance Training: The Healing Power of Psychic Sight (Class 3)
- Crafting My Own Course of Spiritual Study: Clairvoyance (Class 2)
- You Are Psychic by Debra Lynn Katz: Clairvoyance Training for Everyone! (Book Review)
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